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SLCene Suggests: Andre Williams at The Garage

ANDRE WILLIAMS, THE GARAGE, Friday, June 7 and Saturday, June 8, 8 p.m., $20 

About a year ago, at the insistence of friend and local blues guru Bad Brad Wheeler, I finally took in a show by Andre Williams, the soul and blues legend known as the “Black Godfather” who boasts some of the more lascivious lyrics you’ll hear coming from a 66-year-old frontman. I headed to The Garage and saw Williams throw down one furiously funky show, a blend of rock, blues, funk and soul that easily proved Bad Brad’s point that Williams is one of the baddest men on the planet. He’s currently touring in support of a new album, Hoods and Shades, that he recorded with an all-star band of Detroit aces  including Don Was, Motown Funk Brother Dennis Coffey and the Dirtbombs’ Jim Diamond, among others. In Salt Lake City, he’ll be throwing down with The Rubes, who did an outstanding job playing with Williams when I saw him a year ago. Be sure to get there in time for their opening set a well.

AndreWilliams

48-hour Party People: How to do Seattle on limited time

SeattleNeedle

Given my level of music geekdom, it’s a bit insane that I don’t make my way to Seattle more often.

That came into focus on a recent visit, my first in more than a decade. And I don’t have ignorance of the place as an excuse–I lived in the area in the summer of 1993, right after graduating from the U, and visited a couple times after that, most recently when the Experience Music Project opened in 2000 and I covered it for the Salt Lake Tribune. Other than the omnipresent traffic I remember from living as a Seattle couch surfer and Mt. Rainier National Park lackey 20 years ago, I have  nothing but fond memories of Seattle. And yet, I still never bother visiting.

With a two-day trip on the books, I did a little advance planning to hit some familiar old haunts and tourist must-sees–hello, Pike Place Market–but let some random circumstance take over at times, too. And Seattle is the kind of town where it’s easy to let that happen. Plenty of neighborhoods scattered throughout Seattle can offer all the bars, restaurants, cultural sites and natural beauty to make for a satisfying weekend.

I spent mine based downtown, in a relatively cheap hotel, the Executive Hotel Pacific, roughly two blocks from the train line that delivers visitors landing at Seattle-Tacoma Airport at one of several stops northbound through the burbs and the city. Something I didn’t remember–how easy it is to navigate much of what Seattle has to offer via public transport and short walks. Between the tight city blocks and presence of water taxis, light-rail and a monorail left over from a long ago World Fair, there were no cars or cabs necessary for my quickie weekend.

Rocking out and getting “cultured”

The rock ‘n’ roll geek portion of the trip started right away, with a Yo La Tengo concert at the Showbox at the Market. The venue sits a mere block from Pike Place Market, and holds a special place in Jet City music lore, thanks to its decades open as an entertainment spot where performers ranging from Al Jolson and Mae West, Duke Ellington and Muddy Waters, The Police and The Ramones all made noise in the past. The current lineup is similarly all over the map, and worth a look any time you’re in town. It’s a one-level room that occasionally has all-ages crowds divided from the bars running along either side of the place as you face the stage. The sound was excellent, and the drink prices not too heinous, considering the captive audience.

Another highlight for the musically inclined is the Experience Music Project, a rock museum built by Paul Allen and located at Seattle Center near the Space Needle. The Frank Gehry design is appropriately funky from the outside, and inside hosts a serious of multi-media features that still seem pretty fresh 13 years after opening.

The EMP has expanded into other realms of pop culture through the years–current exhibits include “Can’t Look Away: The Lure of Horror Film” and “Fantasy: Worlds of Myth and Magic,” two shows full of movie props, video clips and interactive activities that are only loosely related to rock and roll.

SeattleNirvana

“Nirvana: Taking Punk to the Masses” was the show that drew me to use some of my valuable, brief stay in Seattle inside the EMP. Tracking the roots of Nirvana’s breakthrough from indie-rock punks to mainstream popularity–and showing how the rest of the world reacted to the “Seattle sound” of the early ’90s–the show has a lot to offer those of us who were unrepentant fanboys of the Lollapalooza generation. The Nirvana show only has a few weeks left, but another show detailing Jimi Hendrix’s explosive London years stretches out longer, and a brand new show opening June 15 offers exciting possibilities: “Women Who Rock: Vision, Passion, Power.”

During my visit, I was lucky enough to stumble upon a free entry day at the Seattle Art Museum, offering my companion and I a chance to check out the massive space downtown on the fly between other activities. The highlight for me was Fifty Works for Fifty States, a show culled from The Dorothy and Robert Vogel Collection that was famously documented in a film about the two average New Yorkers who collected an amazing array of art through the years. That show runs through Oct. 27.

Another show featuring masks from the Nuxalt Native American community of the Northwest is also worth your time; it runs until July 14, and has some amazingly vibrant artifacts on display.

SeattleMasks

Eating ALL the Seafood

That was essentially my plan, but a bit of chaos and unpredictability led to my dining at an utterly random assortment of restaurants during my brief stay. And for the most part, that worked out A-okay.

First stop was Sazerac, a casual joint next to Hotel Monaco Seattle, in downtown, and across the street from my hotel. I walked in and almost immediately recognized the man greeting folks as they walked in the door as Art Cazares, the long-time manager of Salt Lake City’s Bambara who has been in Seattle for a couple years now. After chatting with Art, I delved into some blackened Idaho catfish (because where ELSE would you want your catfish from?). It was served with lemony mashed potatoes and some jalepeno-lime brown butter, and while it was tasty and not outrageously priced at $18, it had nothing on the Medjool dates served packed with goat cheese and wrapped in bacon–$7 during Sazerac’s lengthy Happy Hour–or the roasted organic beets. The drink specials during Happy Hour were good, too, with well drinks for $3 and local microbrew pints for $4, and thanks to running into Art, I walked out with some homemade cookies still warm from the oven, gratis. Thanks, Art!

Our pregame meal for Ya La Tengo came via a little Italian join in the Belltown neighborhood called La Vita E Bella.  How Italian? There was a guy with an accordion who thankfully drifted to the opposite side of the place shortly after our arrival; a little accordion goes a long way unless you’re at a zydeco show. A decent-sized wine list, friendly waiter, classic Caesar salad and penne puttanesca pasta dish made with a plum tomato sauce, kalamata olives, capers and parmiggiano worked out fine for rock and roll sustenance. Had it been a bit warmer, the streetside dining would have been great.

A quickie breakfast at Tulio, an Italian place in a nearby hotel, got our Saturday morning off and running with the basics: hearty strips of bacon and cage-free eggs, some rosemary potatoes, and a frittata full of grilled veggies, fresh herbs and goat cheese washed down with some excellent coffee–naturally–made for a fine morning feast.

Far better, and most unexpected, was a taco lunch at El Puerco Lloron, a little room tucked several levels down in Pike Place Market that’s been open 30 years now. In essence, we’re just talking souped-up street tacos, but they were awesome. We sampled carnitas, chicken and (my favorite, probably because we don’t see them in SLC) Tacos de Marisco–fresh grilled Red Snapper tacos that were the one dish from the weekend I can’t stop thinking about. All were served up with pinto and black beans, cabbage, onions and tomatoes. We added some chips and a few of their different salsas from the salsa bar, and bottles of Pacifico. Naturally.

SeattlePizza

The final stop of the culinary run through Seattle came at Von’s 1,000 Spirits, a self-labeled “gustobistro” downtown that has two unique aspects that I can totally get behind. One: They certainly live up to their name–the long restaurant boasts a ridiculously long and beautiful bar packed with all manner of high-end spirits, including their own house-made vodka, tequila and gin. And two: Von’s 1,000 Spirits uses the house sourdough starter to create all manner of dishes filling its menu, from the pizza crusts to burger rolls to pasta. I’ve been to a few places that specialize in sourdough pizza, or sourdough pancakes, but I’ve never been anywhere so dedicated to the sourdough cause throughout its menu.

That doesn’t mean everything we ordered had a sourdough component. That is, unless they slipped some into my martinis made with the Von’s “Sanctified Vodka.” I’m pretty sure they didn’t, and I’d order that vodka again no problem.

We sampled the 21 Club Cod Cake appetizer, a dish that turns fresh-caught wild Alaskan cod into Maryland-style cakes, served up with a chili slaw, pickled vegetable salad and spicy aioli. The cod cake itself was somewhat forgettable, but the accompanying slaw and veggies were excellent, and they adorn many sandwiches on the menu.

For our main dishes, we dug into the Lardon and Apple pizza (pictured above) at the recommend of the manager, and it was a good call. Lardons, if you don’t know, are small cubes of pork fat, and combining them with French Ewe Roquefort cheese, apple slices and dried local cranberries made for a distinct and  flavorful pizza, despite a crust that could have used a bit more time in the oven. No such complaints are coming about the sourdough pasta served with rockfish. The sourdough gave the pasta an uncommon flavor, and the fresh fish helped me at least feel like I was taking advantage of our oceanfront mini-vacation.

SeattleDrinks

SLCene Suggests: Ogden Music Festival at Fort Buenaventura

OGDEN MUSIC FESTIVAL, FORT BUENAVENTURA, Ogden, Friday, May 31-Sunday June 2, $50 for three-day pass at the gate/$25 per day at the gate/Kids 16 and under free

To know that this little spring festival thrown by the folks at the Ogden Friends of Acoustic Music has grown into quite the to-do, you just have to look at the lineup. They’ve always boasted some great talent–the likes of Dave Alvin and Eilen Jewell have delivered memorable gigs at the fest’s Fort Buenaventura locale on the west side of Ogden–but this year is packed with bluegrass and folk acts beyond any past editions I can recall. Sam Bush is simply one of the most monster mandolin players in the biz, and that’s just scratching the surface of the man’s capabilities as a player and live frontman. Tim O’Brien, playing this year with local wonder Kate MacLeod, is never less than superb to hear do his thing. Throw in the Utah State Instrument Championship competitions starting each of the three days, and bands like Elephant Revival, The Boxcars and more kicking it tasty licks all weekend, well, you have the makings of a seriously fun weekend. You can camp at the fest, kick it in Ogden overnight, or make a day-trip of it–whatever gets you there, you won’t regret it.

SamBush

SLCene Suggests: Bombino at The State Room

BOMBINO, THE STATE ROOM, Tuesday, May 28, 8 p.m., $22

Bombino is one of the more remarkable stories in recent memory. The self-taught guitarist spent his childhood bouncing between Niger, Algeria and Libya, depending on the political situation of his Tuareg Ilfoghas tribe. At one of the places he moved, the discovery of a guitar left behind by a previous resident led Bombino to start playing, eventually learning at the knee of Tuareg guitarist Haja Bebe. During his teens, he saw videos of guitar masters like Jimi Hendrix and Mark Knopfler, leading Bombino to develop a style that is as open to modern sounds as it is rooted in his nomadic, tribal roots. His latest album, Nomad, was produced by another guitar man, The Black Keys’ Dan Auerbach, and it debuted at No. 1 on Billboard’s World Music  chart earlier this spring. Last Good Tooth opens the show.

Bombino

SLCene Suggests: Dropkick Murphys at In The Venue

DROPKICK MURPHYS, IN THE VENUE, Tuesday, May 28, 8 p.m., $30 day of show

Massachusetts’ favored sons the Dropkick Murphys find themselves tied to historic events in their home state on a seemingly regular basis. The purveyors of Irish-punk-by-way-of-Boston developed a huge following for years via nonstop touring and a series of increasingly strong albums on indie label Hellcat Records. They raised their profile a bit more with a move to Warner Brothers and creation of their own vanity label, Born and Bred. Their most famous song, “I’m Shipping Off to Boston,” was an anthem for sports teams in the area for years, including the Boston Red Sox World Series runs in the ’90s. It also had prominent placement in the Scorsese gangster flick The Departed (not to mention an excellent offshoot Simpsons episode). And this year, the band landed in the news for its fundraising efforts after the Boston Marathon bombing, as well as cracking down on some racist fans that showed up at one of their gigs. The band is on the road in support of its latest release, Signed and Sealed in Blood, and bluegrass punks Old Man Markley–a regular headliner in SLC in their own right–opens the show.

DropkickMurphys

Concert review: Vampire Weekend at Red Butte Garden

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Red Butte Garden opened its summer concert series earlier than I can ever remember with a sold-out Vampire Weekend show Tuesday night.

Clearly, they knew what they were doing.

On what proved a classic Salt Lake City spring evening–crisp and clear and the hills, at least briefly, a lush green, with a three-quarter moon hanging low–Vampire Weekend delivered an energetic burst of jittery pop-rock with a distinct dance flavor for 3,000 or so folks who never left their feet from the moment the quartet hit the stage.

Now with three albums under their collective belt–all three albums that have improved on their respective predecessors–Vampire Weekend was remarkably assured on stage, and their sound was pristine, their instruments mixing with samples and synthesizers to, at various points, evoke surf-rock, reggae, ska, world-beat and straight-up pop.

Once singer Ezra Koenig and Co. got things started with a near-perfect three-song burst of “Cousins,” “White Sky” and “Cape Cod Kwassa Kwassa,” the proceedings were a relentless march of sunny jams, incisive sounds and clever wordplay. “I Stand Connected” was solid, and “Diane Young” from the band’s latest release, Modern Vampires of the City, was a bombastic delight, and as rocking as the band ever got during their 90-minutes-plus show.

The set veered seamlessly between songs from the new album and older favorites; Vampire Weekend now has enough familiar “hits” to sprinkle them generously among the new material. Among the new ones, the ballad “Step” offered the first respite from the nonstop dance party six songs into the night, while “Unbelievers” settled nicely between crowd favorites “Holiday” and “Horchata.”

If there’s a criticism of the band to be found, it’s not from their live performance, but rather how so many of their songs settle into the same tempo and vibe–it’s all good stuff, but at times it was a bit like a reggae show where the consistent rhythms from song to song can get a little dull.

Despite that, songs like the raucous “A-Punk” and lush “Don’t Lie”–played for only the second time ever, according to Koenig–still offered some legit aural thrills. And the arrival of older favorite “Oxford Comma” just before the band paused before a brief encore was received with some of the loudest cheers of the night.

All in all, a damn strong opener at Utah’s best summer music venue, with a bit of a Twilight Concert Series vibe thanks to the atypically young (for Red Butte shows, at least) and constantly moving crowd.